Writers who are versatile to write for different audiences usually impress me. But writers who can craft books for different audiences about the settings around themselves impress me even more. Jean E. Pendziwol has done both those things. Writing about the Northwestern Ontario region that she grew up and lives in for both adults and children, she is becoming a writer who works should be read and savored. Pendziwol was kind enough to answer a few questions for me.
1) First off, could you give a bit of an outline of “The Lightkeeper’s Daughters?”
“The Lightkeeper’s Daughters” is an atmospheric story of Lake Superior and lighthouses, about love and loss, about isolation and belonging, and what it means to be family. Though Elizabeth’s mind is still sharp, her bones have aged and her eyes have failed. No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills her days at the retirement home with music and with memories of her family, especially of her beloved twin sister, Emily. When her late father’s journals are discovered after a tragic accident, she seizes the opportunity to piece together the mysteries of her childhood. With the help of Morgan, a delinquent teenager performing community service at the home, Elizabeth delves into the diaries—a journey through time that brings the two women closer together. Each entry draws these unlikely friends deep into a world far removed—to Porphyry Island on Lake Superior, where Elizabeth’s father served as lighthouse keeper and raised his young family in the years before and during World War II. As a complex web of secrets unravels, Elizabeth and Morgan realize that their fates are connected to each other and to the isolated island in ways that are at once heartbreaking and healing.
2) You have also just released “Me and You and the Red Canoe.” Could you give an outline of that book?
A celebration of the simple gifts of life, “Me and You and the Red Canoe” begins at dawn when two siblings leave their campsite with fishing rods, tackle and bait, and push a red canoe into the lake. A perfect morning on the water unfolds, with glimpses of wildlife along the way. Trailing a lure through the blue-green depths, the siblings paddle around a point, spotting a moose in the shallows, a beaver swimming towards its home and an eagle returning to its nest. Suddenly there is a sharp tug and the rod bends to meet the water. A few heart-stopping moments later, the pair pull a silvery trout from the water, then paddle back to the campsite to fry up a delicious breakfast.
3) So now you have written for both adults and children. Do you find any notable differences in writing for the two audience groups? If yes, how so?
While there are some differences writing for the two audiences, most notably the complexity of language, themes, plot, and characters, what strikes me most are the similarities. Even though most of my work for children is in the picture book format — where the text is usually less than 1000 words — writing for children is not simple nor simplistic. The craft requires the same respect for the reader, the same careful choice of words, the same commitment to story. To me, choosing to write for adults doesn’t mean I have “graduated” or even switched from writing for children, I am still challenged by the picture book format, I love the concept of co-creation combining text and illustration and I love, love, love connecting with young readers.
4) How have you found the reactions to your published works? Are there any memorable comments or actions to your works you care to share?
The most memorable reaction to The Lightkeeper’s Daughters was from Francis McKay whose husband served as lightkeeper at Porphyry Island for several decades, and who herself spent many years assisting with the functions of the light station and living on the island during shipping season. After she read an early draft of the manuscript, she told me that the story made her feel like she was right back on the island again and that it brought back so many wonderful memories of her time there. A writer could receive no greater praise.
5) You are scheduled to appear at the 2017 Toronto Word on the Street festival. Do you participate in many public events/discussions of your work? Outside of WOTS, are there any other events you are looking forward to attending?
Yes – I will be at WOTS in the TD Children’s Literature tent with my latest picture book Me and You and the Red Canoe (Groundwood Books). (Link to the WOTS website here) I will also be participating in the Heartland Fall Forum in Chicago October 13, (Link here) and the International Festival of Authors in Toronto and Thunder Bay towards the end of October. (Link here)
6) You seem to have an have an active presence on some social-media platforms like Facebook and Twitter. How do you like using those applications in relation to your work?
7) Are you working on anything new right now? If yes, are there details you care to share?
I have a few projects on the go, but nothing I can tease you with yet. 😉
8) Your books seem to be set in and near the Northwestern Ontario region to which your website states you were born and raised. Is that where you are living right now? Are there any specific elements to that area that inspire you to write?
I was born and raised in Northwestern Ontario and still live in Thunder Bay on the shore of Lake Superior. I find that I’m very much inspired by where I live; by my time spent sailing as a child with my family on the temperamental but beautiful Lake, snowshoeing or skiing in the boreal forest, climbing and hiking in the Nor’Westers with my family, or paddling the many lakes and rivers. Place plays an important role in most of my work and I like to bring my readers here, to my home, through my words.