Tag Archives: In Case I Go

In Defense of Actually Reading Books in 2017 |Mention of Angie Abdou’s “In Case I Go” Arsenal Pulp Press

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This will be my final post for 2017. And there are a few things I want to accomplish with it.  Most importantly I want to reflect on one of my favourite books of 2017- In Case I Go by Angie Abdou. I also know that it has been a bit of time since I posted here and my followers have been wondering why, so here is a quick note. (I have been busy with earning money to purchase more reading material – so expect more posts in 2018.)

Now to In Case I Go. I was heartbroken to read and hear some of the slagging that this book has been receiving. Abdou documented not only for me but for many people I know a reality that is true in this book. The plot deals with a young white boy realizing that his descendants were far from perfect in their actions in dealing with minorities and that the present-day actions of his parents are far from ideal. Now, there has been a lot of empty talk of some of the details that Abdou used to move this plot forward. I admit that I don’t know some of the facts behind some of these discussions but they seem trivial and petty. Abdou has captured for me some of the angst that I remember as a child coming aware in a far from perfect world and that is for me the mark of a great piece of literature. And for many of my fellow readers who work long hours in dirty jobs, have far from perfect credit ratings and who’s feet stink because they been on them all day, this was a work that reflected some of the pain of their reality as well. And it was a pleasure to hear Angie read from this book a few months ago when the staff at a local library made an extra effort to bring her in a Friday night and let us book-lovers hear her words and thoughts.

There were many great works this past year that were worthy of unwinding and pondering over but this book was the one that caught my eye the most. Thanks to all the writers whom captured my attention this past year with their dedicated craft.

However In Case I Go by Angie Abdou is the one item on my bookshelf now that holds a special place for me. I wept when reading it because I found a reality that documents my life. Trust me this is the one book that should be read. (And I spend my days wading through tripe that should be trash but is revered. ) And I know that I am not alone in calling this a great piece of literature.

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Link to Angie Abdou’s website

 

The Search for Truth can be a Difficult One | Review of “In Case I Go” by Angie Abdou (2017) Arsenal Pulp Press

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We all try to find out truths in our travels through life. Be it historical truths, truths in our relationships and our desires, or even the truths behind our names. But the thing is that when we gain understanding of those truths, they may not be the beautiful or enlightening elements that we thought they may be. That is the main theme that I felt was in Angie Abdou’s book In Case I Go.

Chapter One Page 15

We quit the city to save our lives.

Mama says, “The city quit us, and that made leaving easy.” But that’s silly. Cities don’t care who goes or who stays. This new town, though, it cares. Here, the very ground we live on cares.

Mama quits many things – coffee, sugar, wheat. Late at night, when she thinks I’m sleeping, her finger tracing a half moon around my ear, her warm toothpaste-breath against my forehead, she says, “I want to be a better person, Elijah. For you.”

I’m only Elijah in the dark. By day, I’m Eli. It’s a nickname I like when she says it to rhyme with sly, but not when she makes it rhyme with belly. Elly Belly. That’s a baby name, and Lucy claims I’ve never been a baby. Not really.

“You were born knowing everything, Elly Belly. You came out of that incubator like it was your first year of college.”

I can’t help but feel that Angie has empty many bits of her soul to give us this book. The story of Eli and his parents returning to their family home is a familiar one for many of us. Yet as in many cases, that return isn’t as calming and restorative as the family had hoped. And as young Eli friends Mary, a young Ktunaxa girl, spirits begin to haunt him, making him question the past actions of his family and the longings and desires of the present-day adults around him.

Chapter Seven Page 93

Sometimes, if I try, I can hold onto a dream for a long time after the sun rises. One time I dreamt of Lucy and Nicholas and me planning a road trip, but we couldn’t actually decide what way to go.

“Kiboshed by our own indecision before we even get out of the driveway,” Nicholas said. I remembered that –kiboshed. I liked that word. Lucy must have liked it too because she laughed and laughed, her hand on Nicholas’s bare thigh in a way that made me a bit embarrassed, even in the dream.

“Well,” the dream-me said, trying not to show how bad I wanted this road trip. “We’ve come this far wet. We might as well keep going that way.”

I held onto that dream for days. I told Lucy if we could somehow dial up dreams on Netflix, I would like to watch my Road Trip Dream forever to see where we ended up and if we stayed that happy. But it slid away, like almost all dreams do.

While I have been a big fan of Abdou’s earlier writings, this is a book that touched me like no other cultural artifact has for a long time. She has captured so much of the angst,  fears and concerns of our time here – questions about identity, family, heritage, relations with Indigenous people, and so forth – all in the thoughts, dreams and possessed visions that young Eli has. This is crafted, well thought-out and deeply emotional writing that deserves to be considered literature and read by all.

Pages 218-219

I put my hand out and touch Lucy’s forearm. She doesn’t look my way, and I won’t check to see if she has tears. I run my hand up and down her arm and squeeze. I’m not mad anymore – not about the way she feels about Sam, not about what she’s done to Nicholas, not about the twisting and squishing in my stomach when I saw Sam’s hand on Lucy’s hip in the museum. I understand.

She loves two.

Or maybe it’s not that. Not the same. There are different kinds of love. We want to simplify love and desire – squeeze them into easy words – so we can pretend to understand. We want there to be a right way and a wrong way to live. Right and wrong should be easy. Lucy loves Nicholas, she knows Nicholas, but she wants Sam. She only wants Sam. She wants only Sam. Her life, though belongs to Nicholas. Tamara might not understand that pull, the war between belonging and wanting, but I understand. I squeeze Lucy’s forearm one more time and then lean my forehead against it. She puts her forehead on the back of my head, and her hand on the back of my neck, gentle and full of love. I relax into it.

This love is the simple kind.

Angie Abdou has not only given readers what I consider one of the best books of 2017 with In Case I Go, but one of the most touching books I have read in a long time. I am eagerly waiting to get this book signed and then giving it a treasured spot on my shelf.

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Link to Arsenal Pulp Press’s website for In Case I Go

Link to Angie Abdou’s website

Link to my Q&A with Angie Abdou | “With this 2017 novel, I went in a different direction, writing many scenes in the early 1900s and including a fantastical element, something I’ve never before experimented with.”

 

 

 

“With this 2017 novel, I went in a different direction, writing many scenes in the early 1900s and including a fantastical element, something I’ve never before experimented with.” | Q&A with novelist Angie Abdou on her new book “In Case I Go.”

Angie Abdou is one of the most popular writers on the Canadian literary scene right now. Since being a finalist for the Canada Reads series a few years ago, her works seem to reflect a reality that is consistent with many readers in their day-to-day lives. Now with her latest work, Abdou digs a bit into the past a bit. Abdou was kind enough to answer a few questions not only her upcoming work In Case I Go, but also a few of her upcoming projects as well for me.

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1) First off, could you give an outline of “In Case I Go” ?

Eli’s parents (Lucy and Nicholas) have reached a rough spot in their marriage and decide to leave the hectic city in an attempt to find peace in a small tourist, mining town in the mountains. They move into a little miner shack originally owned by Eli’s great-great grandfather and namesake, Elijah Mountain. While Lucy and Nicholas deal with their own adult problems, Eli befriends the next door neighbours, a Ktunaxa man named Sam and his troubled niece named Mary.  Gradually it becomes clear that Eli must make amends to Mary. They’re haunted by the mistakes of their ancestors, and are challenged to find a way to reconcile.

2)  Was there any research involved in writing this book? Is there anything you are hoping to accomplish with it?

 
Yes, I did a lot of research. First, I read theoretical texts about history and haunting. I didn’t intend to write a historical novel but, of course, I kept getting pulled that way. Initially, I resisted scenes set in the far past, but eventually I had to give up that resistance. The characters are, after all, haunted by … the past. Once I realized the book had to go there, the Fernie Museum Director Ron Ullrich proved tremendously useful – with details on everything from what kitchen clocks would look like to what women’s bathing suits would look like to what men would have stayed home from the war to how much one might pay for a prostitute.  What do I hope to accomplish? My main hope is that readers will be entertained and compelled to finish the book, enthusiastically even. After that, what each reader takes away from the book is up to that reader. But I’m very curious. I’m ready to hear from readers.

3) There is some confusion over official release dates of the book – Can you confirm the official date of its release? Are you planning a reading/book tour in connection for it? If yes, are there any particular dates/events that you are looking forward to attending?

The book will launch September 14th in Fernie BC. The launch is co-hosted by the Fernie Heritage Library (as the first BOOKED! event of the season) (Link to BOOKED! event page) and the Fernie Museum (as the opening event for the fall Chautauqua). (Link to the Fernie Museum website)
 

4) You mentioned in our last Q&A “I learn things with each book I write, and apply those lessons to the next.” Now that you have written another book, do you still feel that is true?

Lately, I’ve heard myself saying that each book is a reaction against the last book.  My 2014 novel BETWEEN was very contemporary and rooted in realism. With this 2017 novel, I went in a different direction, writing many scenes in the early 1900s and including a fantastical element, something I’ve never before experimented with.  With this 2017 novel, my biggest challenge was the Ktunaxa element, what stories I could tell, whose voices I could depict, and how to do so as carefully and respectfully as possible. With my 2018 book, I’m reacting against that challenge and telling a story that is entirely my own: the memoir of a hockey mom.

5) Your fan page on Facebook mentions that your hockey memoir “HOME ICE: Reflections of a Reluctant Hockey Mom” will be published next year. Am I right in assuming this is your first non-fiction book that has been published? How did you like writing this book as opposed to your fiction work?

I have this delusion around writing. The last book I wrote was always “super fun” to write and the next book I write will be “super easy.” The book I”m currently writing is always torture.  I”m currently writing HOME ICE.

6) You also mention on Facebook that you have a collection of essays on sports literature being published. Could you give a bit of a description about that work? How did you get involved with that?

My day job is university professor, and I often teach sport literature courses. These types of courses are increasing in popularity in Canada and US, and as author of a swimming-wrestling novel (THE BONE CAGE), I frequently get invited to speak to students of sport lit. During these visits, professors have complained about a lack of secondary sources, essays to which they might direct their students as samples or use as material to write lectures. Jamie Dopp and I put together this collection in response to that complaint. There are ten essays on the Canadian sport lit books taught most frequently, novels like King Leary, The Good Body, and Shoeless Joe.

7) (So here is the dreaded question I ask writers but I get yelled at by my followers of my blog if I don’t ask it.) Are you working on any new fiction right now? If yes, are there any details you can share?

My attention right now is focused on the hockey-mom memoir. But there are some fiction ideas simmering – nothing I could articulate yet.

8) As I talk to a lot of writers right now, they are getting a little fatigued with social media. Yet, many fans of their writings use social media to connect with their favourite writers. Are you still comfortable with social media as a means to connect with your fan base?

Finding a balance with social media and not letting it take up time that could be directed to more real activities is always a challenge. However, for now, I do think I need to be there. I appreciate the way it keeps me connected to writing and reading communities throughout the country. It allows me to live remotely without feeling isolated or disconnected.

9) Is Fernie still an idyllic place for you to live in and write? How is your family reacting to your writing career?

My husband tolerates my writing career, barely.  I travel a lot with writing commitments and when I am home I’m often stressed about deadlines. He’s not a writer, or even much of a reader, so he tires of both those things – the absence and the anxiety. My kids love books, though, and they’re proud that I’m a writer, though they talk as if “Angie Abdou, the writer” is someone different than “Mom.”  “Mom” is far less interesting.
In 2015, I moved to Alberta for work – I’m a professor at Athabasca University – but I still own a place in Fernie and am actively involved in the arts community there, helping run a writers’ series called BOOK!.  Yes, it is idyllic.
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