Reading “Alias Grace” before the TV series begins | Review of “Alias Grace” by Margaret Atwood (1996) McClelland & Stewart

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Fans of Margaret Atwood were glued to the television sets last spring as her novel The Handmaid’s Tale came to life from her famous book. Now, in a few weeks, the Canadian Broadcasting Corporation will be airing another series based on one of her works, so it is only fitting that one should read (or re-read) Alias Grace with equal zeal.

Page 23

Sometimes when I dusting the mirror with the grapes I look at myself in it, although I know it is vanity. In the afternoon light of the parlour my skin is a pale mauve, like a faded bruise, and my teeth are greenish. I think of all the things written about me – that I am an inhuman female demon, that I am an innocent victim of a blackguard forced against my will and in danger of my own life, that I was too ignorant to know how to act and that to hang me would be judicial murder, that I am fond of animals, that I am very handsome with a brilliant complexion, that I have blue eyes, that I have green eyes, that I have auburn and also brown hair, that I am tall and also not above the average height, that I am well and decently dressed, that I robbed a dead woman to appear so, that I am brisk and smart about my work, that I am of a sullen disposition with a quarrelsome temper, that I have the appearance of a person rather above my humble station, that I am a good girl with a pliable nature and no harm is told of me, that I am cunning and devious, that I am soft in the head and little better than an idiot. And I wonder, how can I be all of these different things at once?

Atwood gave us readers a vivid lesson to ponder over when she pulled the story of Grace Marks from the dusty history books and created this brilliant piece of literature. Marks had been imprisoned in the 19th Century for the murder of her employer and his housekeeper/mistress. While the public at the time is looking at her with either pity or enraged at her actions, a Dr. Simon Jordan comes up to examine her and her mental state. It is their interactions that Atwood brilliantly moves the plot of the book through and gives us vivid descriptions to reflect and ponder over.

Pages 120-121

I did not cry. I felt as if it was me and not my mother that had died; and I sat if paralysed, and did not know what to do next. But Mrs. Phelan said we could not leave her lying there, and I did have a white sheet for her to be buried in. And then I began to worry terribly, because all we had was the three sheets. There were two old ones that had been worn through and then cut in tow and turned, and also the one sheet given to us by Aunt Pauline; and I did not know which to use. It seemed like disrespect to use an old one, but if I used the new one it would go to waste as far as the living were concerned: and all my grief became concentrated, so to speak, on the matter of the sheets. And finally I asked myself what my mother would prefer, and since she’d always placed herself second best in life, I decided on the old one; and at least it was more or less clean.

The Captain having been notified, two sailors came to carry my mother up onto the deck; and Mrs. Phelan cam up with me, and we arranged her, with her eyes closed and her pretty hair down, because, Mrs. Phelan said a body should not be buried with the hair knotted. I left her in the same clothes she had on, except for the shoes. I kept back the shoes, and her shawl as well, which she would have no need of. She looked pale and delicate, like a spring flower, and the children stood around crying; and I had each one of them kiss her on the forehead, which I wouldn’t have done if I thought she’d died of anything catching. And one of the sailors, who was an expert at such things, tucked the sheet around her very neatly, and sewed it up tight, with a length of old iron chain at the feet, to make her sink. I had forgotten to cut off a lock of her hair to keep, as I should have done; but I was too confused to remember it.

As soon as the sheet was over her face I had the notion that it was not really my mother under there, it was some other  woman; or that my mother had changed, and if I was to take away the sheet now, she would be someone else entirely. It must have been the shock of it that put such things into my head.

This story is enlightening and Atwood – true to her literary form – is vivid and descriptive. Considering the previous works of the people that are involved in bring this book to television (Sarah Polley, Mary Harron, Anna Paquin, Paul Gross) this productions should be a great watch. But book fans and readers should review the book first.

Page 186

Down the driveway to the left comes Grace herself, walking with her head lowered, flanked by two unsavoury-looking men he supposes to be prison guards. They’re leaning very close to her, as if she’s no murderess, but a precious treasure to be kept safe. He doesn’t like the way they press up against her; but of course their lives would be very difficult if she were to escape. Although he’s always known that she’s taken back every evening and locked into a narrow cell, today it strikes him as incongruous. They’ve been talking together all afternoon as if in a parlour; and now he is free as air and may do whatever he likes, while she must be bolted and barred. Caged in a dreary prison. Deliberately dreary, for if a prison were not dreary, where would be the punishment?

Margaret Atwood certainly gave us reader an enlightening book filled with vivid descriptions with Alias Grace. And the upcoming mini series based on that book should be a enlightening experience to view.

*****

Link to the Canadian Broadcasting Corporation’s website for the TV production of Alias Grace airing on Sept. 25, 2017

Link to Penguin Random House Canada’s website for the book Alias Grace

Link to Margaret Atwood’s website

“What amateur sleuth does not go off half-cocked? It’s one of the big challenges of writing about a character who has no business investigating murder in the first place.” | Q&A with author Barbara Fradkin on her novel “The Trickster’s Lullaby”

The new book season is almost upon us and we can hardly wait. One such release that is coming out that has us book fans excited is the second Amanda Doucette mystery titled The Trickster’s Lullaby by Barbara Fradkin. No doubt this will be a great mystery novel filled with vivid detail and realistic situations.  Fradkin was kind enough to let me in on some of the details of the book before its release.

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What is “The Trickster Lullaby”  – the latest Amanda Doucette novel –  about?

In The Trickster’s Lullaby, former international aid worker Amanda Doucette embarks on a winter camping trip with a group of inner-city young people in the remote Laurentian Mountains of Quebec. With a view to bridging cultural divides, she brings along a mixture of Canadian-born and immigrant youth.

Trouble begins when two of the teenagers disappear into the wilderness during the night: Luc, a French/English-Canadian with a history of drug use, and Yasmina, an adventurous young woman from Iraq who dreams of becoming a human rights lawyer. Although frantic, their parents are strangely secretive amid suspicions of drug use and forbidden romance. But when a local farmer turns up dead and terrorist material is found on Luc’s computer, the dangers turn deadly. Now in a battle against both the elements and police, Amanda and Corporal Chris Tymko discover a far greater web of secrets and deception.

As Amanda races to save the young people from danger, she finds herself fighting for stakes far higher than their own lives.

What do readers say about Amanda Doucette?

Many of my long-time readers are very attached to Inspector Green and were only grudgingly willing to meet my new hero in FIRE IN THE STARS. (Link to my review) Fortunately, most old and new readers have enjoyed her spirit, compassion, and never-say-die attitude, even if some felt she had a frustrating tendency to go off half-cocked. What amateur sleuth does not go off half-cocked? It’s one of the big challenges of writing about a character who has no business investigating murder in the first place. At one hilarious book club I was invited to, the members, most on the dark side of forty, felt I should have given her a sex life. I promised it was coming.

 

What event are you most looking forward to?

I have numerous appearances lined up this fall. I am always excited to meet readers and talk about my books, but I especially love my book launches, because I get to invite all my friends, both old ones from my former work life and new ones from my book world. Some of them I rarely see otherwise, so it’s really a reunion. As in past years, I have two launches planned, in Ottawa and Toronto.

 

However, this year I am also really excited to be appearing at the Ottawa International Writers’ Festival for the first time, (Link to the Festival’s website here) with an internationally renowned crime writer whom I greatly admire. The details have not been made public yet, but mystery lovers are going to be thrilled.

 

What’s next?

It’s part of a writer’s life to be juggling multiple writing tasks at the same time. Often we are doing promotional events with one book while doing final editing on the next and writing the first draft of the third. Right now, in between planning book launches and tours for THE TRICKSTER’S LULLABY, I’m also hard at work writing the third Amanda Doucette book. First drafts require a certain momentum to keep going and on track, so I try to write a scene or two every day and hope to have something rough (and always terrible) hammered out before the September book tours start. I am not sure it’s going to happen, which means that I will be taking my draft on the road with me and working on it in airports and hotel rooms.

 

The next book is called PRISONERS OF HOPE, and it is set in Georgian Bay during the late spring. Each book in the Amanda Doucette series takes place in a different iconic location across the country, as part of my homage to Canada. In this book, Amanda is planning a kayaking retreat for her next charity adventure and during an exploratory paddle, she and her tour guide rescue a woman whose boat has swamped. The woman turns out to be a Filipino nanny fleeing from an island mansion where her employer has just died. Each of the Doucette books has a Canadian twist on a global social issue, in this case the plight of foreign temporary workers. But I hope at its heart, it’s mostly a good, thrilling tale.

 

Who came up with the striking cover?

I do love this cover, and many people have commented on it. My publisher, Dundurn Press, allows me a lot of input into the covers. First they ask if I have any vision for the image, colour, or theme. Later they will send me the mock-up for feedback, and they do take my comments seriously. Sometimes the mock-up goes back and forth several times. With THE TRICKSTER’S LULLABY, I wanted the bleakness and danger of the winter wilderness to leap out at people. I combed through the Internet for pictures of blizzards and snowy mountains, collecting several promising photos in the process. But I also came upon the close-up of the Siberian husky and thought what spooky, menacing eyes!  So I sent it along with the landscape photos to the designer, never thinking she’d combine the concepts. She came back with this cover. Perfect first time!

The joys of social media (and connecting with fans online)

Facebook and I have reached a stage of mutual appreciation, but I still don’t know what to make of Twitter. Both are essential tools for getting the word out and, more importantly for me, fostering friendships with readers I meet either through book clubs and appearances or simply online. It takes time to keep up with Facebook and reach out to others, but I gain a lot from the connections and truly cherish my expanded circle of friends around the world. Twitter is much more impersonal and, because it’s just short bursts of information, I never feel much of a connection. I will use Twitter to inform a broad readership and other book business people about an event, review, upcoming release, etc.

 

Another social media site, Goodreads, has now reared its head, and writers are urged to have a presence there. Because it’s designed for and by readers, it’s more difficult for authors to figure out how to use it for promotion, and so I sense another steep learning curve. And more distractions from actual writing. We can’t be everywhere, and we do have to write.

*****

Link to Dundurn’s website for “The Trickster’s Lullaby”

Link to Barbara Fradkin’s website

 

 

 

 

 

 

Major Events Tend to Disturb Quiet Lives |Review of “Tell” by Frances Itani (2014) HarperCollins Canada

Frances Itani will be participating at the 2017 Toronto Word on the Street festival

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Major events tend to disturb quiet lives. And while World War I may have occurred 100 years ago, it’s effects on the occupants of  small towns in North America were truly trying and emotional. That is the rich narrative that Frances Itani explores in her wonderful novel Tell.

Pages 9-10

There was no escaping the wind. Gusts blew in off the bay, gusts beat against shirts and trousers and linens pegged to the clothesline. Air pockets were trapped; sheets snapped out furiously. From inside the closed veranda at the rear of the house, Kenan Oak could not shut out the sound.

He closed the outdated newspaper he’d been reading and made an effort to align its edges. Once he folded it along the creases, he’d placed it on top of a neat and growing stack beside his chair. He had read about but had not attended the fall reception in town, nor had he attended the sports dinner or the grand ball – all of which had been held, as editor Calhoun, of the Post, had reported, “to thank Deseronto’s red-blooded manhood for its sacrifices, its heroism and is gallantry on the far-flung battlefield.”

The town had waited until late in the year for the big celebration. “Decorate! Decorate!” Calhoun had urged the town. “Decorate your lawns, decorate your homes, decorate your places of business, decorate your streets, decorate your autos – but decorate.

And people had responded, at least from what Kenan could see from his parlour window. Yes, the town had decorated, and waited until everyone was home – those who were alive to come home. The nearby city of Belleville had sent a brass band for day time events and a orchestra for evening. Kenan, who had lived in Deseronto all his life, felt far-flung indeed, having brought the battlefield home with him. Or so Tress, losing patience one day, had accused. Kenan had come back as a “walking wounded,” but he had not walked out of the house since the day he returned and set foot in it.

Itani’s  works have been on my radar for a while so I was glad to be able to make time to read this book. The story deals with characters from her previous works but the fact that I hadn’t read any of those other books didn’t deter me from enjoying this book. The story felt comfortable while reading, like I was settling myself in so many communities I had experienced in my younger days. Readers are slid comfortable into the lives of  the residents of Deseronto, and witness young Kenan – damaged and disfigured from the war –  try to come to grips with civilian life again. His wife, Tress tries to help him regain that existence and goes often to find advice from her Aunt Maggie. But Maggie and her husband Am have their own bitter past to deal with. Readers easily gain empathy with each of the characters as their pains and emotions are carefully revealed by Itani’s well-crafted words.

Page 171-172

Maggie was impatient. She wanted to work at something, but Am was in the tower. She wanted time alone, wanted to practise her solos. She wasn’t able to sing when he was around, even if he could not be seen. No matter where he was in the apartment, she was aware. He went up and down the ladder with such regularity, she could tell when he was carrying something and when he was not. She was aware of him standing, sitting aware of his shoulder slump, his breathing, his imagined expression, his squinting to see, his sighs over whatever pain he was trying to hold in, his right hand pressed to his lower abdomen. She wondered if he had a problem with his bladder. Dandelion fluid, she said to herself. Sarsaparilla mixOne spoonful before bedtime. But she could not concoct dandelion fluid at this time of year.

She thought she would go to the bedroom to sing, but she heard footsteps above, as if he were deliberately asserting his presence. She could not free herself of the weight of him. She heard him descend the ladder, and suddenly he was in front of her She looked at his face and her body went cold. He was about to speak, but he must not speak. Maggie brushed past, went to the kitchen, busied herself at the table, turned her back. She heard his footsteps on the ladder again as he went up.

The narrative feels like many other classic stories about life in small towns but there is a bit of freshness to the plot. Itani gives us deep emotions like anguish, passion and fear like no other story I have encountered before. Readers sense the tranquility of the town and the order it has but readers are compelled to read on to find out why some of its occupants are truly unhappy and what they plan to do to regain some balance in their lives.

Pages 208-209

He hadn’t forgotten the hard fall during his first skate, and he was determined not to stumble this time. He  reached the ice, tested, felt his blades scratch against the hard surface. He tried to relax, to let go, and surprised himself with a sprint that took him to the far end of the rink. He had not fallen. He had not once looked toward the wall of snow. He couldn’t stand the sight of it.

He stood still after the sprint and considered what to do next. His body would cool quickly if he stayed in one spot. A low wind was blowing in off the bay and he wanted to keep moving. He pushed off again, kept his knees bent, felt his blade carve ice, heard the sound – harsh, familiar, satisfying agins t the night silence. He tried to warm up, move faster. Tried again to let go, drop his weight, allow his legs to prove their strength. He skated the length of the rink, straight up the centre, reached the far end and almost panicked knowing hed have to turn. Then, one foot crossed over the other, right foot over left, and he executed a quick three-step on ice, the dance of the feet, naturally, smoothly, the way hed always done. One of his blades struck an uneven patch, a ridge in the ice, and he went down, but not so hard this time. He sat on his ass and laughed abruptly into the dark.

Frances Itani has told us some interesting tales in her book Tell. The plot reads like a many other beloved stories of small towns coming to grips with a new era, Itani does explore some new thoughts and emotions in a tender way. A great read and a great piece of literature.

 

*****

Link to HarperCollins Canada`s website for Tell

Learning a lot from a Young Girl’s Fears | Review of “The Missing” by Melanie Florence (2016) James Lorimer & Company Ltd. Publishers

Melanie Florence will be participating at the 2017 Toronto Word on the Street festival

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There are many issues that come to our attention via the news. But it is through a good work of literature that one truly gains some insight and understanding to how a situation affects certainly members of our society. While there has been much discussion and focus on the plight of indigenous women in Canadian society recently, it is a work like Melanie Florence’s The Missing that helps bring understanding and empathy to them.

Page 11

I was outraged and – and terrified for Carli. But given the history of the police with the Aboriginal community, I wasn’t that surprised. Carli was a foster kid. We all knew to the police that equalled a high-risk, unwanted kid who got what she deserved. It made me sick I watched the news. Aboriginal women were going missing or being killed across the country and the police just ignored it and turned a blind eye.

A group of girls passed us in the hallway, talking loudly.

“I heard she was giving blow jobs for twenty bucks down by the river bank,” one girl said, smirking.

“Well, I heard she went down to that rec centre to score drugs. Probably got a bad batch of meth or something,” a tall blonde with a pixie cut cackled to her friends. “Aren’t all those Indians on drugs?” My face coloured and I grabbed Mia’s arm as she lunged towards them.

“We’re not all on drugs, bitch. But we do know how to hunt. Remember that,” Mia yelled at the retreating group.

“I don’t know how to hunt,” I commented dryly.

Mia grunted at me, pushing the hair out of her face and glaring down the hallway at the girls.

“Do you know how to hunt?” I asked Mia, trying to distract her.

Mia glanced back at me and smirked. “Oh shut up. Of course not. I was born in St. Boniface and grew up in Osborne Village. I don’t get back to the rez too often.”

I closed my locker and nudged my friend as the bell rang.

“Come on, Mia. We’re going to be late for English.”

Florence has given detailed insight into the concerns and fears of Indigenous women by documenting not only the actions but the thoughts of her protagonist Feather in this book. Readers witness Feather’s anguish as a school friend is found dead in a nearby river. But that anguish turns to shock as she hears that police have ruled that death a suicide. Then Feather’s best friend Mia disappears. And while Mia’s mom and abusive stepfather label Mia a frequent runaway, Feather knows it is up to her to learn the heart-breaking and bitter truth about what is happening to her friends around her.

Pages 40-41

We didn’t often get to have dinner together as a family anymore. My mom worked a lot of hours. With her usually working late and Kiowa away at school, I often spent dinners in front of the TV or reading in my room. Having all three of us home at once called for a big, home-cooked meal. We all pitched in. I chopped veggies for a salad while Kiowa barbecued steaks. My mom made dessert: home strawberry shortcake that looked delicious.

As we sat around the table and talked about Kiowa’s classes, which neither my mother o=nor me actually understood, I couldn’t help but think again about how different my home life was from Mia’s. We both had single mothers but my mother had focused on raising my brother and me. She worked hard to provide for us, while Mia’s mom paraded one useless boyfriend after another through Mia’s life. Now she had to lock her bedroom door against her creepy molester stepfather. I knew if my mom ever brought home a guy who touched me like that, I could tell her and he’d be gone in a heartbeat. Probably with a black eye.

This led my thoughts back to Carli. She was shuttled from house to house and expected to fit in and not complain. I didn’t know as much about what happened in her foster homes as I’m sure Ben did, but I knew had been with a family who liked to hit their foster kids for any wrongdoing – real or imagined. I had seen her with black eyes and an arm in a cast. That wasn’t even the worst situation she had been in. I couldn’t imagine being Carli, moving from place to place and having to fly under the radar so you don’t make waves. I couldn’t conceive of a home where I didn’t feel safe and secure with people looking out for me. What choice did she have but to find other kids like her and seek a refuge where they could all eat hot meals and not worry about being hurt or touched? It was starting to make sense. Not everyone had someone to talk to or count on. Not everyone had someone who worried about them.

Florence’s prose is direct, simple and frank yet it gives readers insight into the lives of Indigenous women in today’s era. Her descriptions of emotions, thoughts and even the whole mise-en-scene that she gives describing Feather’s world, easily create understanding and empathy with any reader of any age group. This is a book that is simply written but works like a great piece of literature.

Pages 161-162

I hadn’t been down to the river at night before. It was completely different when it was dark. During the day, the Riverwalk was populated with young moms with jogging strollers and tourists with cameras slung around their necks. Couples strolled hand-in-hand along the riverbank on romantic dates. It was a safe place to walk and get some nice views of the city during the day.

But at night, the riverfront came alive with street kids, homeless people, people looking to score drugs and sex workers looking for dates. I felt completely out of place until I remembered that I was in disguise. I walked past a group of kids about my own age, passing a joint back and forth. They nodded at me as I walked by, maybe thinking they knew me from some other night below the overpass.

As I walked toward the bridge, I looked at each person I passed, hoping one would be Mia. It never was. But the sheer number of Aboriginal girls hanging out alone or just with one other girl was mind-boggling. Didn’t they know how dangerous it was for them Hadn’t they read the statistics? I wanted to yell, “Get out of here! We’re four times more likely to be killed than that white girl over there! But I didn’t.

I saw places where the street lights didn’t penetrate the darkness. I was afraid to look too closely after hearing some of the moaning sounds coming from the darkness. There were too many places where someone could hide. Could watch. Could reach out and grab. Far too many places where someone could drag a girl and make it sound like they were on a “date.”

Melanie Florence has given readers a deeper understanding of issues of Indigenous women with her novel The Missing. While the language is simple and frank, it is a read that is enlightening for anybody who reads the book. In short, a great piece of literature.

*****

Link to Melanie Florence’s website

Link to James Lorimer & Company’s website for “The Missing.”

The Causes and their Effects on our Lives | Review of “The Gallery of Lost Species” by Nina Berkhout (2015) House of Anansi

Nina Berkhout will be appearing at the 2017 Toronto Word on the Street Festival

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There are a number of things we collect through our lives. Artifacts. Memories. Friends. Thoughts. Ideas. It is what we do with those items as we get older that makes us who we are. And to ponder and reflect on those items we have collected, lost or tossed away can be an interesting thought process for any serious reader of literature to endeavour. And Nina Berkhout has given us something to start our own journeys of personal reflection with her novel The Gallery of Lost Species.

Page 17

Of the four of us, only Viv didn’t have the compulsion to gather objects around her.

You’d think she’d have copied Constance, cluttering her vanity with makeup and costume jewellery, but outside the pageant world. my sister remained unadorned.

She ignored her shelves of trophies and her reams of rosette ribbons. Her room had minimal furnishings and laced decoration other than the jagged mirrors and a dark mound of clothes at the foot of her bed. She didn’t look into the mirrors and draped her sweatshirts over them when she wasn’t practising at the barre. Regularly I peered beneath the fabrics to examine myself, squeezing at the overhang of fat above my waist and striking poses to appear thinner.

Unlike Viv’s Spartan quarters, my room was jammed with books that Henry told me were important to my future education. I read before school and at night and whenever I could in between. I still didn’t get through all the tomes, and the ones I did finish, I couldn’t make sense of.

 Berkhout has divided this book into two sections; the first part where she has her protagonist Edith Walker growing up with her somewhat dysfunctional family and the second part that has her trying to deal with the results of her upbringing as an adult. We see Edith witnessing her overbearing mother drag her sister from beauty competition to competition then Edith must try to deal with her sister’s drug and alcohol abuse later in life. Berkhout has brilliantly documented not only a coming-of-age novel but also shown cause/effect issues which occurs in all people’s complex lives.

Pages 164-165

I found Viv outside the Laff, talking to a guy in a toque whose jeans were so low-riding I wanted to pull them up for him. I called to her from across the street. She pecked him on the cheek and ran over. She was so thin her purse looked like weighed more than she did.

“Garbage head,” she said breathlessly.

“Huh?”

“That guy. He’s a garbage head.”

What’s that?”

“A junkie.”

“You don’t do drugs, then?” I stopped walking and stood in front of her.

“Hell no.”

“I found a pipe in your room once.”

“That’s a lifetime ago.” She turned to keep walking.

I grabbed her wrist. “Promise?”

“Yes. Let go.” She wrenched her arm away. pulling sunglasses from her purse and checking a cellphone.

“How can you afford a cell?” When she didn’t respond. I studied her protruding cheekbones. “Why are you so gaunt?”

“I have a fast metabolism. You know that.”

I didn’t warn her that Liam was staying with me. I needed him to see her as she was now. So he’d be over her once and for all.

When we got home, Viv asked if she could use the shower. I offered to put her clothes in the laundry and I made up the pullout. Then I ran to the pizza place on the corner. By the time I returned, Liam was storming out of the house.

“What the fuck!”

Berkhout is brilliant in the use of her prose in this book. The thoughts and conversations that Edith has are done in such a modern-day tone and feeling that a reader can almost feel as if they were standing by the young woman as she expresses herself. Yet the moments where Edith is quietly contemplating a piece of art or a person’s expression are vivid. Berkhout is not only an expert wordsmith but also a detailed observer of the human condition.

Page 181

The next day at lunch, I dropped the millefiori into my cardigan pocket, grabbed my purse, and roamed through the Canadian galleries. I thought about how Henry likely came here on his lunch breaks too, before his years on night shift. He probably stood in the exact same spot I was standing in now, in front of The Jack Pine by Tom Thomson.

Pictured was a dark green, solitary tree on a rocky shore, its threadbare branches deformed against the yellows, m father’s favourite work. We sold laser reproductions, mugs serviettes, T-shirts, and magnets of it in the gift shop. I bought Liam the Jack Pine hotpot holder after we’d planned to go camping in Algonquin Park, but I never saw him use it.

In the same room was The Tangled Garden. This painting, which soothed my mother all those years ago, had the opposite effect on me. The closer I got to it, the more I felt the tumultuous garden of all summer endings. Where cyclopetals in the shadows, surrounding the viewer in vibrant mayhem. There was no sky, no air. I passed it as quickly as possible, puffing on my inhaler and detouring through the Hirst room on my way back to the office.

Nina Berkhout has not only written an excellent coming-of-age novel with The Gallery of Lost Species but also looks at the effects of the events of youth on a adult. A great read and a notable work of literature.

******

Link to House of Anansi’s website for The Gallery of Lost Species

 

A Coming-of-Age novel Worth Pondering Over | Review of “Life in the Court of Matane” by Eric Dupont – Translated by Peter McCambridge (2015) QC Fiction

A “Thank you” to QC Fiction for sending me a sample of their work!

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It is amazing the amount of baggage of memories we carry with us from our childhoods.  While the incidents may have occurred many decades ago, the simplest thoughts and emotions from that period of our lives still haunt our thoughts and dreams, almost still bringing us to paralysis. But somehow reliving some of memories of other people help up get over our own fears and memories. And one such classic coming-of-age novel is Eric Dupont’s Life in the Court of Mantane.

Pages 9-10

I turned forty recently, the age my grandmother was when I came into the world. This made me wonder how I would react if, on a trip back in time, I happened to come across the little boy I once was. I wonder if he would agree to become my friend  and, especially, if he would let me be his friend. I very much doubt it. In his eyes, I would have all the flaws his parents had – or at least those he would be able to see on the rare occasions we managed to meet, since I work all the time. He would certainly not my appalling propensity, inherited from my father, to suspect others of being as dumb as a stump. Although we might both like the same music. One thing’s for sure: I’d probably get on his nerves, telling him to calm down all the time, insisting that things would work out just fine, that becoming an adult would end many of the torments of childhood. Far from being consoled, he would think I wasn’t taking he troubles seriously. In short, I wonder if we would have much in common. His verbosity would annoy me, I’m sure. Plus, I don’t like people who live in fear, and this boy was, if memory serves, absolutely terrorized three days out of five. He would have a very strong country accent, too. Concerned for his education, I would correct his pronunciation. He would be offended and end up hating me forever. Perhaps it’s for the best that we never did meet.

Dupont documents well the thoughts of a young lad living in the Gaspé region of Quebec in the 1970s. We witness the turmoils and dreams of this boy as he patiently plans his escape from his father and his wife. Readers are literally vaulted between a boy watching Nadia Comaneci’s performance at the Olympic Games to elements of bullying and abuse in the school yard to a odd family home life all in one book.  He must try to not only deal with these elements but try to define them in some manner. And his vivid imagination leads him to bitterly hope to escape one day.

Page 189

For my twelfth birthday, Henry VIII (my father) gave me twelve hens. It was, he said, time for me to take on my responsibilities, and the birds were the perfect way to teach me. Some fathers try to do the same by offering their children a magnificent pony of a gleaming moped to ride, making all the other children instantly envious and proving key to their popularity in the schoolyard. The idea of becoming a teenager while raising poultry left me skeptical, but I was willing to give the king the benefit of the doubt.

When Jewish boys turn thirteen, they celebrate their bar mitzvah, where they are given the world on a silver platter. The world or a condo in Florida, depending on the family’s means.

In our house, it was hens that were given. By the dozen.

He had chosen Rhode Island Reds, perfect for budding poultry farmers looking for high egg returns. Hens of this breed lay somewhere between two hundred fifty and three hundred eggs per year. A phenomenal return. Rhode Island Reds are considered docile and low-maintenance. Now, I’m willing to take the farming brochures at their word, but after my terrible experience with hens in 1982, I swore never to encourage the reproduction of what I still to this day consider to be feathered vermin. The Rhode Island Red is the state bird of Rhode Island. Naturally. It had no say in the matter.

In practice, I think the hens were a roundabout way for the king to put me back in my place.

I know I have said it often enough on this blog but I will state it again. ‘This is a coming-of-age novel that a reader needs to carefully read and ponder over in a quiet space.” Even with the book being set in rural Quebec, there are elements that Dupont brings forward in the plot that are universal in all our experiences growing up during the 1970s and 80s. And reviewing those issues now and reconsidering them sort of helps with the traumas

Page 153

Supper in Saint-Ulric invariably ended with an order from the king or queen. “The dishes.” Staring out at the forest from the kitchen window, my hands in warm soapy water, I wondered who would help my sister do the dishes if I blasted my brains out all over the ceiling. I wasn’t cruel enough to leave my chores to her. “You can dry, Sis! And make sure you wipe off all the sauce stains. Otherwise Anne Boleyn will shout at us again.” Just behind us we could hear the wet sounds of the sovereigns kissing. Their bellies full, they rubbed their moist snouts together. It turned my stomach in the most indescribable way. Nausea.

Life in the Court of Matane by Eric Dupont is certainly a unique coming-of-age novel that documents the emotions of growing up in the 1970s well. A read that is worth pondering over making it definitely a good piece of literature.

******

Link to QC Fiction’s website for Life in the Court of Matane

“Place plays an important role in most of my work and I like to bring my readers here, to my home, through my words.”| Q&A with writer Jean E. Pendziwol.

Writers who are versatile to write for different audiences usually impress me. But writers who can craft books for different audiences about the settings around themselves impress me even more. Jean E. Pendziwol has done both those things. Writing about the Northwestern Ontario region that she grew up and lives in for both adults and children, she is becoming a writer who works should be read and savored. Pendziwol was kind enough to answer a few questions for me.

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1) First off, could you give a bit of an outline of “The Lightkeeper’s Daughters?”

“The Lightkeeper’s Daughters” is an atmospheric story of Lake Superior and lighthouses, about love and loss, about isolation and belonging, and what it means to be family. Though Elizabeth’s mind is still sharp, her bones have aged and her eyes have failed. No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills her days at the retirement home with music and with memories of her family, especially of her beloved twin sister, Emily. When her late father’s journals are discovered after a tragic accident, she seizes the opportunity to piece together the mysteries of her childhood. With the help of Morgan, a delinquent teenager performing community service at the home, Elizabeth delves into the diaries—a journey through time that brings the two women closer together. Each entry draws these unlikely friends deep into a world far removed—to Porphyry Island on Lake Superior, where Elizabeth’s father served as lighthouse keeper and raised his young family in the years before and during World War II. As a complex web of secrets unravels, Elizabeth and Morgan realize that their fates are connected to each other and to the isolated island in ways that are at once heartbreaking and healing.

2) You have also just released “Me and You and the Red Canoe.” Could you give an outline of that book?

A celebration of the simple gifts of life, “Me and You and the Red Canoe” begins at dawn when two siblings leave their campsite with fishing rods, tackle and bait, and push a red canoe into the lake. A perfect morning on the water unfolds, with glimpses of wildlife along the way. Trailing a lure through the blue-green depths, the siblings paddle around a point, spotting a moose in the shallows, a beaver swimming towards its home and an eagle returning to its nest. Suddenly there is a sharp tug and the rod bends to meet the water. A few heart-stopping moments later, the pair pull a silvery trout from the water, then paddle back to the campsite to fry up a delicious breakfast.

 

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3) So now you have written for both adults and children. Do you find any notable differences in writing for the two audience groups? If yes, how so?

While there are some differences writing for the two audiences, most notably the complexity of language, themes, plot, and characters, what strikes me most are the similarities. Even though most of my work for children is in the picture book format — where the text is usually less than 1000 words — writing for children is not simple nor simplistic. The craft requires the same respect for the reader, the same careful choice of words, the same commitment to story. To me, choosing to write for adults doesn’t mean I have “graduated” or even switched from writing for children, I am still challenged by the picture book format, I love the concept of co-creation combining text and illustration and I love, love, love connecting with young readers.

4) How have you found the reactions to your published works? Are there any memorable comments or actions to your works you care to share?

The most memorable reaction to The Lightkeeper’s Daughters was from Francis McKay whose husband served as lightkeeper at Porphyry Island for several decades, and who herself spent many years assisting with the functions of the light station and living on the island during shipping season.  After she read an early draft of the manuscript, she told me that the story made her feel like she was right back on the island again and that it brought back so many wonderful memories of her time there. A writer could receive no greater praise. 

5) You are scheduled to appear at the 2017 Toronto Word on the Street festival. Do you participate in many public events/discussions of your work? Outside of WOTS, are there any other events you are looking forward to attending?

Yes – I will be at WOTS in the TD Children’s Literature tent with my latest picture book Me and You and the Red Canoe (Groundwood Books). (Link to the WOTS website here) I will also be participating in the Heartland Fall Forum in Chicago October 13, (Link here) and the International Festival of Authors in Toronto and Thunder Bay towards the end of October. (Link here)

6) You seem to have an have an active presence on some social-media platforms like Facebook and Twitter. How do you like using those applications in relation to your work?

Social media can be distracting, but it’s also a great way for me to connect with readers. (Link to Jean E. Pendziwol’s Facebook page) (Link to Jean E. Pendziwol’s Twitter account) I’m a visual person, so I like Instagram, although I’m not quite sure I’ve figured it out yet. Between pictures of books, I’ll also post snapshots of my chickens (I have five layers), images of Lake Superior (my muse) and some of the crazy activities my kiddos drag me into (among other things, they had me climbing a frozen waterfall this winter.) (Link to Jean E. Pendziwol’s Instagram account)

7) Are you working on anything new right now? If yes, are there details you care to share?

I have a few projects on the go, but nothing I can tease you with yet. 😉

8) Your books seem to be set in and near the Northwestern Ontario region to which your website states you were born and raised. Is that where you are living right now? Are there any specific elements to that area that inspire you to write?

I was born and raised in Northwestern Ontario and still live in Thunder Bay on the shore of Lake Superior. I find that I’m very much inspired by where I live; by my time spent sailing as a child with my family on the temperamental but beautiful Lake, snowshoeing or skiing in the boreal forest, climbing and hiking in the Nor’Westers with my family, or paddling the many lakes and rivers. Place plays an important role in most of my work and I like to bring my readers here, to my home, through my words.
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Documenting the Thoughts and Emotions of a Neighbourhood | Review of “Interference” by Michelle Berry (2014) ECW Press

Michelle Berry will be appearing at the 2017 Toronto Word on the Street Festival

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Residential neighbourhoods are suppose to be tranquil areas. They are thought to be quiet areas where families live and children play, but there are things that shatter that serenity into a perceived chaos.  And that is situation Michelle Berry documents in her novel Interference.

Pages 4-5

Tom and Maria are busy raking the leaves. Tom is by the side of their front porch. Maria is out near the sidewalk. Their daughter, Becky, is playing across the street with her friend Rachel and the sky is full of white billowy clouds. The new woman who recently moved into the empty place beside Rachel’s house pulls her car into her driveway, unbuckles he baby from the back and walks into her house. Tom stops raking to admire her blond hair, California-blond, bleached-out but still healthy looking, which is ironic, Tom thinks. Tom knows he’d never have noticed the hair, or at least the health of it, the blond of it, the irony of it, if Maria hadn’t commented on it. They haven’t introduced themselves to this new neighbour yet, but Tom and Maria watch her and Tom assumes, because of this, that hey know a lot about her. The other neighbours have said things. Rachel’s mother, Trish, has mentioned her. They know her name is Dayton. Dayton from California living now in Canada. The baby is Carrie, which reminds tom of the Stephen King movie, of pig’s blood and periods, of a hand coming out of a grave. That movie made Tom uncomfortable. Who would name their child Carrie? Someone named Dayton, he supposes. Tom sighs. Although that’s such an old movie now, Dayton might not even know about it. She looks young. Early thirties? Late twenties? Or maybe it’s just the hair. The name. Maybe she’s older than Tom and Maria. Tom scratches his head and continues raking. there is a dog barking some, but tom isn’t sure where. There are many dogs in the neighbourhood and they are often barking. This includes Tom’s dog.

Berry has given readers a means of defining their reality with this book. The inhabitants of Edgewood Street in Parkville could be easily them or their neighbours in their own quiet lives. And the threats, fears and anxieties that the residents of the street have – cancer, peer pressure, financial obligations, ‘stranger danger’ – could easily fit into the thoughts of any resident of any other quiet street that exists.

Pages 91-93

Hot potato, dodge ball, who’s got the bone. Jude has distinct memories of each of these games, of how he felt playing them, of how they made him feel. Telephone – when everyone sat in a circle an passed the message around until it became so wildly skewed that it had not connection to the original.

At the beginning he watched the grey team, but now it’s the white team he’s taken with. There’s something about their hair under their helmets, the way it comes mostly past their shoulders and is all different – curling or straight, ponytail or loose. their hair is nice to watch, but he also likes their laughter. Peeling. Ringing. High-pitched laughter. Their camaraderie. The way they high-five each other, or pat each other with their sticks. Jude loses himself in these nights, forgets all the things he wants to forget, concentrates on the ice.

Late in the fall Jude was walking out from the rink one night on his way home. He had been sullenly watching the grey team – they weren’t impressing him. Too competitive, too angry. But then he hear the laughter coming from the change room and he stopped and listened. Like bells. A few gruff snorts. Cackles,. That’s when he decided to watch the white team. To forget about the grey team and focus instead on the white. When their laughter rang around him and sent a shiver up his spine.  They sounded like they were having so much fun and Jude wanted to be part of it – in some way – he wanted to share in the laughter. So he checked their schedule on the internet and he hasn’t missed a game since.

***

He interested in them sexually. He doesn’t want them or lust after them or think about them in any way like that. Jude is interested in them mainly because they fill something that is empty inside of him. When he’s here, in the arena, he feels full. When he goes home, he feel empty. But when he leaves the rink on Wednesday nights he doesn’t think about them again until the next Wednesday. The don’t come into his dreams. If Jude were to run into them on the street he wouldn’t even recognize them or make the connection. When he’s here, though on Wednesday night, his mind and body feel satiated.

Berry’s descriptions are simple, but they convey the complex thoughts and emotions her characters experience. She clearly documents  in anxiety, curiosity, fear, anger and confusion into the different peoples she has living on this street. A reader can’t help but have empathy for these residents and in turn a reader can’t help but ponder their own thoughts and emotions while reading this book.

Page 112

Just now, when Dayton watched Caroline head home down the empty, dark street, she wished, with all her heart, that she was as lucky as Claire. Claire has it all: Ralph, he kind husband; two nice children; a safe, easy home for her daughter to head towards. Claire has everything. Even the little argument she had with Caroline on the phone about picking her up. Even that was done well. It’s not fair, Dayton thought.

Dayton wishes that she had that scanner she was talking about in the grocery store. She would scan everything she wants in life, just bleep things into the hand-held device and, at the end of it all, she would drive her car up to the back of a store and load everything into it: a father for her baby, a house, a job, money, the legal right to live here, her groceries, even clothes, everything. Maybe she’d even scan another cat to keep Max company. Bleep.

Upstairs Carrie begins to cry. Dayton sighs and stands. She brushes the fur off her lap, makes sure the fur off her lap, makes sure the front door is locked, turns off the lights in the hall and downstairs, and climbs the stairs to see what Carrie needs. The smell hits her when she reaches the landing.

Michelle Berry has documented the often-untalked about thoughts, fears and emotions of suburbia in her book Interference. Simply-written and gripping, it is a book that quite honestly does what literature is suppose to do – document an element of the human condition and bring it forward for discussion.

*****

Link to ECW Press’ website for Interference

Link to Michelle Berry’s website

Exploring the Confusing Emotions Around Young Friendships | Review of “Don’t Tell, Don’t Tell, Don’t Tell” by Liane Shaw (2016) Second Story Press

Liane Shaw will be participating at the 2017 Toronto Word on the Street Festival.

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It is hard to understand people sometimes. It may be the way a person thinks or just a way a group of people act. Trust is a difficult thing to give  sometimes, but we give it – rightly or wrongly – to certain people and we don’t want to loose that trust when others give it to us. Those are the types of issues that Liane Shaw explores in a brilliant fashion in her novel Don’t Tell, Don’t Tell, Don’t Tell.

Pages 3-4

“Frederick! Please focus. You need to talk to the officer!”

The loud voice startles me right out of math class, and I look up at my mother’s face. She isn’t looking at me, though. She’s looking at a man. Not just a man. A police officer.

I’m at the police station because my mother said that the police wanted to speak with me. That’s what she said when she came into my room this morning without knocking, which was a direct infringement on our room privacy agreement.

“Frederick! You have to get dressed and come with me now. The police want to talk to you!” Her voice shrieks through my door, high and shrill like a chipmunk yelling at you to stay away from his tree. The thought makes me smile a little, and she sees it because she comes in without an invitation.

“Why are you smiling? This isn’t funny. The police called here and want me to take you down to the station. What is this about? What could they want with you?” She’s not looking at me when she asks the questions, so I don’t answer. She’s always told me that you have to look directly at someone you want to have a conversation with.

Her rule.

Answer me, Frederick. What do the police want with you? Did you see something or do something?

I still don’t answer because I’m not sure what she’s asking. I see and do lots of somethings every day. She’s leaving words out of her sentences because she’s upset for some reason, and now she doesn’t make sense.

“Frederick! Are you listening to me? We have to go and see the police!”

It’s interesting the way people say “the police” as if you are going to see all of them. Or as if there is only one of them.

“Frederick. Pay attention to me. Please.”

A reader can’t help but feel sorry for poor Frederick. His odd behavior at school has made him an easy target some of the different cliques there, but he’s gotten use to eating lunch alone in the ‘Reject Room.’ However, Angel has taken a bit of shine to Frederick as well. Now in her sixth school, she has had a hard time making and keeping friends. But she finds Frederick interesting – he’s annoyingly smart and refreshingly honest and she decides to teach him all her rules of friendship. Yet when Angel disappears, Frederick is torn by telling the police where she has gone or break one of those rules of friendship. The decision may even lead Frederick into danger himself.

Page 90

I have emotions. Lots of them. Everyone does. Most people wear them on their faces and in their voices for the whole world to see and hear. I think emotions are private and should be worn on the inside where they’re safe.

“Oh. I didn’t think of that.”

“Well, think about it now. Would you wonder or worry and any other W words if I suddenly disappeared without telling you first?

Would I wonder or worry if I came to school, and Angel wasn’t sitting in the Reject Room at lunch time, ready to fill my ears with words that I only half listen to? Up until a few weeks ago, I didn’t even know there was an Angel. If she wasn’t there anymore would I feel different?

She isn’t going to be there anymore. I’m going to be eating alone again. Quietly. I hadn’t thought of that before. Now one will smile at me and tell me I’m funny, even when I’m not trying to be. No one will talk to me except Robert, sometimes, and Peter Murphy the rest of the time.

No one will ask me to the movies, even though we never actually went.

I was scared at the idea of going to the movie with her, and now I don’t have to do it. I guess I should feel relieved. But I’m not sure that’s what I’m feeling.

Shaw has certainly documented the confusion and the ambiguity of emotions that surround friendships for young people. Her words are clear and concise as she gives us insights to the thoughts of Frederick as he considers his actions in his dealings with his friend Angel and her disappearance. This is a story told from a unique perspective and documents some interesting elements of the human condition.

Page 122

I thought this would all happen a whole lot faster than it seems to be happening. I don’t know why I thought that. I’m pretty sure it isn’t logical to think that. I have a very logical mind about most things. But I have no experience with this sort of thing. Is this a sort of thing? Is there a precedent for someone taking a bus to a strange city to find someone who seems to be missing even though she had a foolproof plan?

If I don’t get back in time for school tomorrow, my mother will find out what I’m doing, and she will be angry with me.

I don’t like anger. I try not to feel it because it’s an uncomfortable and out of control feeling, as if my insides are turning red and molten with heat that burns my common sense until it melts and drips out of my mouth with words that I shouldn’t say. When people are angry they say hurtful things. My mother’s angry words always burn me, and it takes a long time for the scars to go away. I don’t like to make her angry.

Liane Shaw has given readers some unique thoughts and perspectives with her novel Don’t Tell, Don’t Tell, Don’t Tell. A clearly written book which documents some important elements of the human condition. Truly a great read and one for starting some great discussions.

*****

Link to Second Story Press’ website for Don’t Tell, Don’t Tell, Don’t Tell

Link to Liane Shaw’s website

 

“The earliest seeds of the story can probably be traced back to our childhoods. Our dad has always had a great love of trees, nature, and bonsai, having grown up in the Taiwanese countryside. I think living in Toronto he missed that, and compensated for the cold Canadian winters by filling our house with trees and plants. | Q&A with Eric Fan, Co-Illustrator of “The Night Gardener”

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There is something enjoyable about book illustration that I find somewhat unrecognized by many adults who read. The skill in creating and honing images for a publication takes an immense time and energy to which the final product is just as enlightening as words on a page. Eric Fan, who along with his brother Terry, have created some wonderful illustrations for some stunning books over the past little while and show no sign of stopping any time soon. Eric recently answered a few questions for me in which he shows us a little insight to the world of book illustration.

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1) So I have been getting some multitudes of comments over my review of “The Night Gardener.” How long did it take for you and your brother to create that book. Was there any personal inspiration or ideas that aided in the creation of that book?

Since it was our first book, we had the luxury of a pretty long lead time. We worked on it for almost a year, but that included doing multiple rough dummies we did before starting the final art. By the time we got to the finals we had a pretty clear idea of how we wanted the spreads to look. Here are a couple of examples from the original dummy to give you an idea of what I mean. The dummy ultimately went through about three drafts until we were happy enough with the pacing, and the overall design.
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The earliest seeds of the story can probably be traced back to our childhoods. Our dad has always had a great love of trees, nature, and bonsai, having grown up in the Taiwanese countryside. I think living in Toronto he missed that, and compensated for the cold Canadian winters by filling our house with trees and plants. We have many memories of him carefully pruning the trees, and sculpting his bonsai. He was also a parrot breeder, so there were parrots (and a hummingbird named Woodstock) flying free in the house. It was a little like growing up in an indoor jungle. When Terry and I were doing t-shirt designs many years later, we collaborated on a design for Threadless called The Night Gardener, which depicted a man sculpting a tree into an owl (our dad also loves owls). When we first got our agent, Kirsten Hall, she asked us if we had any ideas for stories, and that image came back to us, along with memories about our dad. We always felt there was a story we could build from that standalone image. So that’s basically how The Night Gardener got its start. 
I actually found our original design submission for Threadless:
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And here was the printed shirt:
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2) How has the reaction to “The Night Gardener” been? Has there been any memorable comments or reactions to the book you care to share?

It got a wonderful reaction, which was a nice surprise for us. We really didn’t know what to expect, or how it would be received. I think the first time we were able to breath a sigh of relief was when it got a starred review in Publisher’s Weekly, and then Kirkus. Some of the most memorable reactions came from book sellers who saw the book early on, sometimes only in its F&G form. We even became friends with some of them, like Sarah Ramsey, who manages one of the Book City stores in Toronto. She really loved the book from the first time she saw it, and hand-sold it to many of her customers. The other memorable reactions came from readers, and kids inspired by the book. Some of them created their own topiaries out of paper, or made video reviews on Youtube. There was even a school in the U.K. that did an entire Night Gardener student art show, which was beyond amazing.

3) What is it like to work with your brother Terry on a regular basis? Is there any sibling rivalry between the two of you while you work?

I think a little rivalry can be a good thing, since it continually pushes you to do your best work. It’s great to have a fellow collaborator, because you always have someone to bounce ideas off when you get stuck. Making a book can be a daunting project sometimes, so it’s nice to have someone to share that workload with. When one of us falls down or falters, hopefully the other one is there to save the day. That’s happened on numerous occasions.

4) You both worked and published a book with Astronaut Chris Hatfield called “The Darkest Dark.” What was like to work with him on that book?

It was incredible. How often do you get to work with an actual astronaut? The story of The Darkest Dark is semi-autobiographical – how Chris was inspired to pursue his dream of becoming an astronaut as a child. For that reason, it was important to us to remain true to that and have a degree of verisimilitude. Chris was gracious enough to invite us up to his childhood cottage on Stag Island where the story actually took place. It was an incredible inspiration, since we got to see his childhood bedroom and the neighbouring cottage where he watched the moon landing in 1969. 
He also took us flying in a four-seat Cirrus, which was a thrill. I even got to pilot the airplane for ten minutes, which was both incredible and terrifying. At one point Chris looked back at Terry, who was in the back seat, and shouted “your brother’s flying the plane!” I think Terry almost had a heart attack. One of the best parts of the project was just getting to know Chris better, and his wife Helene (and their pug Albert). They’re both such wonderful, inspiring people, and we’ve remained friends with them to this day.
Since I think it’s fun for people to see the process of the book, I’ll share another dummy rough, this time from The Darkest Dark:
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5) You both have a new book coming out called “The Antlered Ship.” Could you give a bit of an overview of that book?

“The Antlered Ship” is written by Dashka Slater (link to her website), and it’s a lovely, imaginative text. The first time I read it I could immediately see certain images pop into my mind, which is always a good sign when you’re illustrating a book. The story centres on a curious fox named Marco who is full of questions. He sets out to find the answers to those questions by joining the crew of the antlered ship (comprised of three deer and a flock of pigeons). On their adventures they encounter stormy seas, pirates, and a threatening maze of rocks, all in the hopes of reaching “Sweet Tree Island” where Marco thinks he might find other foxes to answer his questions. The story is ultimately about friendship, and finding what you’re looking for even if it turns out to be right under your nose. The writing is wise, gently humorous, and philosophical and we had a wonderful time living in that world for a while. (Link to Simon & Schuster Canada’s website for “The Antlered Ship)

6) Are you working on anything new right now? If yes, are there details you care to share?

Right now we’re just finishing up on our next book that Terry and I wrote together, which is called “Ocean Meets Sky.” The story centers on the magical spot between sky and sea, and a magical journey to reach it, but I won’t say too much more about it until it’s closer to its release date, which should be in early 2018. We also just started working on the dummy for a book called The Scarecrow, written by Beth Ferry. (Link to her website) It’s scheduled to be published by HarperCollins in 2019, so it’s a little ways down the road, but it’s a very beautiful and poignant text. 
The other exciting project we’re illustrating is called “The Lifters,” written by the amazing Dave Eggers – his first foray into middle grade books. (Link to Penguin/Random House Canada’s website for “The Lifters”) I can’t really describe the book better than Dave Eggers himself, so I’ll just use his quote: “The Lifters has been on my mind for almost ten years. That’s when I had the idea that a simple cupboard handle could open a hillside to a warren of kid-sized tunnels under a town — and that it would be up these kids to keep everyone living aboveground upright and safe. My goal was to write the book I would have wanted to read when I was a middle-grader, with enough adventure and jokes and mystery to keep even an antsy reader engaged.”
Here is the cover we did, which they just released to the press:
Lifters

7) You and Terry are scheduled to attending the 2017 Toronto Word on the Street festival. Do you participate in public events for your work often? If yes, do you enjoy meeting the public to discuss your work?

We really love meeting fans of the book and always appreciate meeting book sellers and librarians as well. We don’t do a huge amount of public events, or speaking engagements, partly because we’re quite busy, and partly because were both a little intimidated by public speaking. I think a lot of artists pursue art because they’re somewhat introverted, so public speaking can be a bit emotionally taxing. That said, we really loved going to the Forest of Reading festival in Toronto. There was so much positive energy, and genuine enthusiasm from the kids. 

8) You seem to be an active participant on social-media platforms like Facebook and Twitter. How do you like using those tools in relation to your work. Do your fans actively seek you out and chat with you about your books?

I’ve had a few people approach me to chat through social media. I think Facebook (Link to the Eric Fan Illustration page on Facebook), Instagram, (Link to the Eric Fan Art page on Instagram) and Twitter (Link to Eric Fan’s Twitter Account)are all great platforms to connect with readers, fans, and friends. Working from home, I have to be a little wary about how I parse out my time. It’s very easy to get sucked into Facebook or Twitter and fritter away hours that would be better spent working on art. That said, it’s a balance, and you want to be present and visible and direct a certain amount of energy towards social media and promotion. 
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Eric and Terry Fan will be participating at 2017 Toronto Word on the Street Festival