There is something engaging when we read a book and then watch a movie or a television show based on that book. Many of us readers do enjoy comparing and contrasting the plot lines from the two medium. And as the Canadian Broadcasting Corporation prepares to air the latest production that comes from a work of fiction – Lisa Moore’s Caught – many of us readers are already familiar with the book and are keen to see it come to the screen.
Page 21 A Room with a View
Slaney walked up the wheelchair ramp that let to the side entrance of the bar. From there he had a view of rows of cabbages and fields of hay. The clouds tumbled backwards in folds and billows all the way to the horizon.
The door was held open a crack with a stone and it was very dark inside and stank of beer and cigarettes. Someone had been smoking weed. There was a yellow cone of light over the pool table at the far end of the room.
The bartender was a scrawny woman with long silver braids tied at the ends with read glass bobbles. Her skin was tanned dark and her eyes were pale blue. She ware bibbed overalls and had a pack of cigarettes rolled up in the cuff of her white T-shirt. Two pairs of eyeglasses hung from chains around her neck. She was emptying ashtrays form the night before.
If you’re here fro the dart tournament it was yesterday, she said.
Harold sent me, Slaney said. He said maybe there was a room I could crash.
Harold say anything about child support for his three youngsters by two different mothers? The woman asked.
He never mentioned, Slaney said. She reached under the bar and shoved some things around on a shelf and came back up with a key on a wooden fob. She sent it sliding down the bar toward him.
There is something direct and bold in the story that Moore created in the story of David Slaney and his escape from prison in June 1978, but there is also something about the human condition that she has brought forward here. Yes, we get antics of a man on the run but at times we get the thoughts, fears, longings, hurt, and other deep emotions that many of us endure in our day-to-day lives. It is going to be interesting to see if viewers of the TV show will empathize with Slaney and readers did with the book.
Page 109 Jennifer, Juniper
Before the first trip, they’d had their big goodbye on the sidewalk outside Jennifer’s Gower Street apartment, the Jamaican flag hanging in the upstairs window, sopping K-Mart flyers out the mailbox, her tears wet on his neck while she held him.
Jennifer had thought Alberta, not Columbia. Slaney had said he was going to Alberta for work and as soon as he landed a job he’d send for her and Crystal. He’d have a nice house set up for them he’d buy them everything they’d ever wanted, all the furniture and clothes and toys they could imagine. Jennifer wouldn’t have to worry about money anymore.
Slaney had bent down by the stroller and pulled out Crystal’s pacifier and kissed her and stuck it back in before she had a chance to scream for it. And Jennifer stood there on the sidewalk, one hand on the stroller, pulling it back and forth, waving with the other. She kept waving until the car had disappeared around the corner.
Moore’s descriptions in any of her works are vivid and direct and that is true of this book too. Any reader can visualize any scene or any emotion easily. And the story is bold yet unique. One can feel empathy for Slaney no matter what the situation that he finds himself in to be. In any case the book is a good read and the show should easily mirror the book’s great qualities as well.
Page 147 Skills
After four weeks and five days at the Mansonville cabin Slaney’s new passport was ready. He went to the office and picked it up, along with the driver’s licence and the birth certificate he’d mailed in, and then headed to the rain station and bought a tiecket.
The formality of the photography studio and the blast of the flashbulb had rendered an unfamiliar look in his passport photo. It was an odd angle. Something, perhaps the false name, made Slaney feel like he was not himself.
The large white umbrella in the studio had been set up to bounce light and there was the need to be unsmiling. There was a look of bafflement.
Bafflement is a precursor to wisdom, was that the picture made him think. The picture looked like someone who would have to wise up. They were embarking on the next adventure. They were going to be rich. Look out, world. The guy in the photograph was him and was not him.
The picture said, Look out.
Or it said: Bon voyage.
While it should be an interesting show, most book-fans will be eager to make comparisons to it and Lisa Moore’s book Caught. The book is bold and a unique read, which the show should be able to follow in it’s own right.