There is a feeling among many that our society is moving too fast. The sense that nuances in the general discourses in our everyday life seem to be lost with the rapid speed that our technologies brings us information is common and causing concern. So it would be natural that a work of literature would document that fear present in the human condition. And that is what noted author Mark Sampson has done with his book The Slip, along with a dash of humour.
Back in the CBC studio during the commercial break I was tremulous. As a stagehand came by to re-powder my brow – I was tacky with sweat by this point – my imagination began to corkscrew out of control over how my gaffe might be reverberating around the country. My heart raced as I looked over at Sal and Cheryl, who sat cool as breezes at the other end of the desk. Their poppies hovered over the breasts like beacons of respectability, while mine was probably fluttering somewhere among the eaves or gutters of Parliament Street.
I gestured to Sal to lean back in his chair with me, and spoke to him sotto voce when he did, even though Cheryl was sitting right between us. “Look, when we come back, can I have a chance to clarify what I just said?”
“Sorry, buddy,” he replied, “but that segment went way over. We only have about five minutes left, and I have several other points I want to cover.”
He sat back up and I reluctantly followed. The three of us waited in silence for the commercial break to run its course. Cheryl’s face held a patina of diplomacy, but I knew what she was thinking: that she had bested me, that by hijacking Sal’s role as interviewer she was able to cast me as the extremist and herself as the voice of moderation. With less than five minutes left, I would need all of my intellectual heft to turn things around. I the seconds before we came back , I looked up once more at Raj standing in the booth. His head was now bowed over his phone, his brow furrowed. Oh God – he was probably on Facebook or Twitter right then , watching the obloquy and snark over my blunder flood in. Was Grace there, too, gingerly defending my moment of indiscretion? Or was she still steaming over my fecklessness as a father (Phillip, your daughter scalded herself), or, worst of all, my complete ineptitude at keeping track of our social calendar? Oh, Jesus, why couldn’t I remember what we’re doing on Sunday?
Sampson is a talented writer who knows his craft well. There some serious reflections on our society in this at-times humorous story of Dr. Philip Sharpe, as readers follow his blundering attempts to salvage his reputation after a brutal slip of the tongue during a live television broadcast. But more importantly we see the profound academic realize the more important aspect of his life is not his career or his reputation but his family and as he tries to mend those broken relationships that are so important to him.
Let us speak of weekend rituals. I will marvel, as you no doubt will, at the way children can sleep like Tut in his tomb all week long, ignoring the beseeches of parents pleading against the clock, only to swarm from their chambers on Saturday morning and fill an ungodly hour with frenetic clatter. But I’m up. I’m up and I’m there to provide assistance at the toilet, to find a lost Dora, to pour cereal and locate cartoons on TV. I’m there in bathrobe, in eye crust, in fuzzy slippers. I am there with spatula in hand, hunched over sizzling skillet, cooking my wife a hot, proper breakfast. I’m there on the porch, hauling in fat weekend papers (though not as fat as they used to be), which I will divvy up like a whale carcass after a hunt. To Grace go sections like Style and Living and Weekend. To me go sections like Focus and Argument. The kids get the funnies. We each have our perennial favourites: Grace got straight to Globe Style, which oddly, contains recipes: I, meanwhile, grouse over and increasingly etiolated Globe Books and then dive-bomb the Star’s op-ed section. And if things are good, if things are humming, my wife and I will speak to each in the idioglossia of our marriage, a nonsensical lexicon of love and domesticity. If things are good, we will cheer or heckle or debate what we read, aloud to each other our fingers gone black with newsprint ink.
But on this Saturday, things were not good. Not good at all. Four Metcalfe Street seemed full of gloom. I had brought the papers in but not bothered to divide them up; they sat in a segmented pile on the kitchen table, portending more column inches about my unconscionable gaffe from Monday. As for breakfast, I couldn’t bring myself to do much more than a couple of toasted bagels for Grace and me. The Bloody Joseph I mixed for myself tasted flat. The autumn light through our kitchen window held a faint grimness. Grace came downstairs, a Medusa of bed-head and frayed kimono, sat at the kitchen table, picked briefly at the papers, stared out the window. I sat across from her, slowly smearing my bagel with cream cheese. We said nothing. We said nothing.
For the longest time, I have been looking for a book – a printed book – worthy of explaining my joy in reading at the moment. It was a joy for me to take a break from the hustle of the day, ( to turn off the computer and the television) and to quietly ponder the exploits of Philip Sharpe. And in those quiet moments that I forced myself to take, I pondered my own existence while followed the downward and at times funny-because-I-have-done-that-too exploits of Sharpe as he blindly attempts to redeem his purpose in life.
How much are you interested, dear reader, in what transpired next? in one sense, it was a fairly typical domestic row, a bile-spewing stichomythia that orated the inanities of our marriage. On the other hand, you should probably know that Grace and I once again ignored the true catalyst of our fissure – that abominable slip of mine from Monday. One again we didn’t mention it, and ergo mentioned pretty much everything else.
Mark Sampson has given readers something truly to enjoy and think about in The Slip. He has documented the fears we all have in our too-fast, media-rich society and given us some good chuckles in the process as well. A great read and a great piece of literature.
Link to my Q&A with Mark Sampson – “As I grew more and more aware of the way social media can really amplify public gaffes, I began to see a comic story emerge about how a situation could really put this marriage on the ropes”