Monthly Archives: April 2017

A Picture Book which truly Enlightens | Review of “Town Is by the Sea.” Written by Joanne Schwartz and Illustrated by Sydney Smith (2017) Groundwood Books

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The beauty of any book occurs when it documents a common theme to a reader while being set in an unique locale. A reader empathizes with the central character while learning about the location, which is simply why many of us enjoy reading and looking at books. And that is exactly what occurs when one looks at Town Is by the Sea written by Joanne Schwartz and illustrated by Sydney Smith.

When I wake up, it goes like this –

first I hear the seagulls, then I hear a dog barking,

a car goes by on the shore road, someone slams a

door and yells good morning.

And along the road, lupine and Queen Anne’s lace

rustle in the wind.

First thing I see when I look

out the window is the sea.

And I know my father is already deep

down under that sea, digging for coal.

I love the feeling this perfect mix of illustrations and words give this book. The story deals with a young boy going through his busy day on a coastal village yet mindful of his father’s hard work digging for coal deep under the sea. Schwartz’s words are poetic and lyrical while Smith’s illustrations are profound yet simple. Flipping through this book is an enlightening experience for any reader of any age.

 

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“From my house, I can see the sea.” Illustration by Sydney Smith

This is a work that is simply well-crafted. It, no doubt, took time, care and planning to bring this volume together. And it works well. It enlightens while it simply engages a reader. Worthy of anybody’s few moments in a quiet corner to reflect over.

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“My father is a miner and he works under the sea, deep down in the coal mines.” Illustration by Sydney Smith

While this book may take place in a different time and place for many of us, it helps us understand a small section of the human condition a bit better. We relate to the little boy’s experience but we gain a simple understanding of what his father’s role was at that time. Enlightenment comes easy with this book.

Author’s Note

If you were a boy in the mining towns of Cape Breton – or, indeed, a child in any mining town in the world – during the late 1800s and early 1900s, you might well have faced the prospect of going to work in the mines at the young age of nine or ten, enduring twelve-hour days in the harsh, dangerous and dark reality underground. Decades later, the life of these towns still revolved around the mines. Even into the 1950s, around the time when this story takes place, boys of high-school age, carrying on the traditions of their fathers and grandfathers, continued to see their future working in the mines.

This was the legacy of a mining town.

Town Is by the Sea is a great example of a great piece of literature, even though it is a ‘picture book.’ Joanne Schwartz’s words blend well together with Sydney Smith’s illustration to tell a unique story.

*****

Link to Groundwood Books/House of Anansi’s website for Town Is by the Sea.

Link to Sydney Smith’s tumblr “Sketchbook”

Going Beyond Reading about Reading | Review of “Gutenberg’s Fingerprint: Paper, Pixels and the Lasting Impression of Books” by Merilyn Simonds (2017) ECW Press

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We have all ponder over the fact that the way we read has changed in the past number of years. The arguments ranging from the “feel of the printed pages” to “the speed of which content comes to me digitally” has bombarded numerous discourses for the last little while causing more confusion among us. But it has taken a writer like Merilyn Simonds to thoughtfully and personally investigate the way books are published and consumed to give us readers some personal points into the craft to help us understand better the activity many of us enjoy so much. Hence, Gutenberg’s Fingerprint: Paper, Pixels and the Lasting Impression of Books is one of those reads that is worth not only reading but pondering over.

A Paper World Pages 17, 18

My sons and I belong to the last two generations to grow up in an entirely paper world. The first words we read were pressed into paper. By the time I was thirty, I was writing on a computer; by the time my sons were adolescents, most of what they read was onscreen. But our first books, both theirs and mine, were printed much as Johannes Gutenburg printed books six centuries before.

*****

We’re caught in a paradigm shift. Words are the constant, with paper on one shore, pixels on the other. My sons and I stand in the middle, a foot balanced on either side. My parents would never have believed that a world without paper was possible. My grandchildren will never fully grasp the extent to which paper served us all we wanted and needed to know. I have walled every room in my house with books; my granddaughter can hold more books than that in just one hand.

Simonds has mixed a perfect book together here no matter what format a reader uses to absorb this work. In it, she talks about the process of producing one of her works in both print format (in collaboration with Kingston, Canada printer Hugh Barclay) and a digital edition (with her son Erik). This book documents not only her honest observations with working with both people on this book but also adds historical facts on the history of reading habits and publishing.

A Puzzling of Pixels Page 57-58

I wonder if the intangibility of onscreen text plays a role, too in the paper/pixel preference game. I’ve suffered enough computer crises to know that digital storage is not to be trusted. I now keep backups of my backups. Paper may be fragile, subject to tearing and rot and spilled coffee, but printing words on paper is like carving them in stone compared to the ephemeral world of pixels, where words can disappear from epaper as if written in invisible ink.

For whatever reason, after almost fifty years of digital innovation, physical paper remains the gold standard. Engineers, designers, and user-interface experts are engaged not in invention but in technological mimicry, working hard to make reading on an ereader or tablet as close to reading on paper as possible. The Kindle screen looks like a page in a paperback. iBooks includes fairly realistic page-turning. Both of thew will seem like square wheels if South Korea’s KAIST Institute of Information Technology Convergence perfects its interface that will allow a reader to see already-read pages on the left and unread pages on the right, exactly like a paper book.

But the question remains: why are scientists working so hard to make plastic screens exactly like paper? Can’t we have both – eat our cake and pie, too? Paper is lovely to touch; screens are workhorses at scrolling and searching and ferrying volumes across oceans and continents.

I want both.

Simonds’ thoughts here go off into wonderful tangents at times, which truly reflect the thoughts and wants of true book fans. This book is a reflection of what many of us think and want from our reading materials right now without being too scientific or deeply philosophical.

Into The Hellbox pages 147-148

I set a few more lines, but I am too slow for Hugh. He fires me, which is a relief. I can spend hours at the computer happily inserting a comma and taking it out, but to pick out the letters physically, whether for practical reasons of spacing or because Stupid Merilyn has been at it again, drives me to distraction.

Hugh carries on until all four chases are locked up, or down, I forget which. Every so often he sends me an email, complaining that I use too many commas, or have such an affection for H’s that he has been forced to buy more.

“What happens next?” I ask when I see the four chases lined up neatly on the glass. The studio has always struck me as dirty and disorganized, but the better I get to know Hugh, and the closer I look, the more I see a different kind of order, measured and controlled, exerted by the process itself.

“Now I print,” says Hugh. “I don’t have enough type to set more pages.”

Merilyn Simonds has truly given a collection of  thoughts to ponder over in her book Gutenberg’s Fingerprint: Paper, Pixels and the Last Impression of Books. This is one of those books I sincerely encourage readers to take their time with and reflect over while perusing the pages.

*****

Link to Merilyn Simonds’ website

Link to ECW Press’ website for Gutenberg’s Fingerprint

(I had the pleasure of purchasing this book at Ben McNally’s Books in Toronto recently)

(M)y books often explore how writing and creativity give my characters tools to deal with the world | Q&A with author Alice Kuipers on her novel “Me (and) Me”

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Alice Kuipers is a very popular author of Young Adult fiction and one of good merit.  Her newest book  –  Me (and) Me –  is already garnishing praises on from all manners of readers and bringing new fans to her works. Kuipers was kind enough to answer a few questions for me and include me in her blog tour of her new book.

*****

1) First off, could you give an outline of the plot of Me (and) Me?

Hi there. Thanks for interviewing me! The description of Me (and) Me from my website is this: It’s Lark’s seventeenth birthday, and although she’s hated to be reminded of the day ever since her mom’s death three years ago, it’s off to a great start. Lark has written a killer song to perform with her band, the weather is stunning and she’s got a date with gorgeous Alec. The two take a canoe out on the lake, and everything is perfect—until Lark hears the screams. Annabelle, a little girl she used to babysit, is drowning in the nearby reeds while Annabelle’s mom tries desperately to reach her. Lark and Alec are closer, and they both dive in. But Alec hits his head on a rock in the water and begins to flail.

Alec and Annabelle are drowning. And Lark can save only one of them.

Lark chooses, and in that moment her world splits into two distinct lives. She must live with the consequences of both choices. As Lark finds herself going down more than one path, she has to decide: Which life is the right one?

That gives the opening. After that the book is structured around both of Lark’s lives as she tries to figure out how to put her life back together again. Each choice has good things and bad things about it—but Lark spends the book encountering glimpses of the life she isn’t leading and that sends her into a tailspin. I’m not sure how much to say without spoiling the story!

2) Was there anything that inspired to write this book? (If yes, what was it?) Is there anything you are hoping the book will accomplish?

I started writing this book when I was eighteen, but I had a whole different set of characters and ideas at the time. Suddenly, about three years ago, the character of Lark came to me and from there, the ideas from the unpublished book I wrote when I was eighteen realigned. As to what I hope the book will accomplish, well, that’s an interesting question. I don’t really think while I’m writing the book about anything other than the story. And then when a book goes into the world, I let it go. A book is a co-creation between the author and the reader, so, if anything, I hope that I’ve given the reader a lot of room in the story to bring their own ideas and imagination. I hope the story becomes the living, breathing thing it was for me when I wrote it.

3) Your website lists this book as your seventh published book. Has your writing change since you began writing? If yes, how so?

My writing has changed because when I first started writing I had no idea what I was doing. I had to spend a lot of time reading books on grammar and studying writing to be able to write the ideas in my head—that’s why the first time I tried to write this book, it didn’t ever get read by anyone else. I just didn’t even know how to punctuate speech correctly (to be fair, that is hard!) My first published book was at least my sixth attempt at writing a completed novel. And then during the editorial process for each of my published books I learnt so much about writing that I felt like a beginner all over again. As a writer now, I am more confident sentence by sentence, but I find it very hard to create a whole book—and that’s what stimulates me as a writer too—the challenge.

But thematically, my books often explore how writing and creativity give my characters tools to deal with the world. Lark is a singer-songwriter and she uses her songs to help her deal with her new, crazy life. That part was really fun to write.

4) Are you planning a book tour or any public readings of Me (and) Me? If yes, are there any particular events or dates you are looking forward to? Are public readings something you enjoy participating in?

This blog tour is a great way for me to share the book with readers, along with public events and readings. I have four small children so I try to do a lot of publicity from my couch—but I’m looking forward to the Literacy For Life Conference in Saskatoon (Link here) on May 1st and 2nd, when I’ll share the book with 2000 local students. The Festival of Words in Moose Jaw (Link here) is going to be great fun too—me, plus the children, plus my partner (Yann Martel) who is a writer too, plus the spa in Moose Jaw, plus a lot of eager readers and writers! I do enjoy doing events but they make me a little nervous. Speaking to a big group of people can be intimidating, until I remember that I am not talking about me but about my books. And hopefully I’m giving the people I’m speaking to some ideas about writing that are useful for them, too.

5) You seem to be active on numerous social-media sites. How do you like using those sites in relation to your writing? Is there one platform (like Facebook or Twitter) you enjoy hearing from fans of your work?

I love hearing from readers and I think as an author for teens it’s a good way for them to reach out to me. I enjoy being active on social media—it’s a fun way to procrastinate and connect with a bigger world. (Link to Alice Kuipers’ Twitter account) (Link to Alice Kuipers’ Facebook account) Writing involves me tuning out of the world—I am alone with my thoughts and my books. Social media opens the world up so that I can hear from readers and writers about the books and stories that spark their worlds. I like all of the platforms that I use, but my current favourite is Instagram where I regularly post writing prompts for people.

6) You have a program on the internet called Freeflow: A Writing Journey in which you have had budding writers learn skills on how to write? How has that been working out?

That course is free for anyone who signs up to my newsletter and it has a lot of people working through it online. I also have a course with Children’s Book Insider (Link Here) called Chapter Book Blueprint that has been a lot of fun too. I love working on online courses as, again, I’m reaching out from my sofa. It means I can share my ideas about writing with other writers, but then turn to my bouncy children (who are all under the age of eight) and spend a lot of time with them too. I can work around their schedules.

7) Are you working on anything new right now? If yes, are there details you care to share?

Yes, I’m always working on something new. Right now, I’ve been working on a YA novel about a girl who claims to be from the future, and a YA memoir about travelling around the world with panic disorder when I was eighteen. I’ve also got a chapter book series upcoming with Chronicle Press, which is exciting. The first book comes out in 2018. It’s called Polly Diamond.

8) Your biography on your website lists you as living in Saskatoon. How do you like living there? Are there any cultural institutions or landmarks there that you enjoy that help you with your writing?

I’ve been living in Saskatoon for thirteen years now and we have a good life here. The children go to a great school, we have a close community of friends, and we enjoy everything the city has to offer. The winters are a bit long for me, but I’ve learned to cross-country ski, which helps. This year we did a lot of ice-skating too. Saskatoon influences my writing, absolutely. Walking by the river seems to come up for my characters in all of my books now, based on my walks along the Meewasin Valley Trails.  (Link here) I also enjoy Living Sky Café (Link here) in the old Mendel Art Gallery space, and The Children’s Discovery Museum (Link here) is a great place to hang out with the kids and get ideas for stories. I spend a lot of time at my children’s school at the moment—meeting with kids and talking about writing with them seems to help me with my own writing a lot too. And then I go to D’Lish regularly (Link here)—which is the name of the café in Me (and) Me.

*****

Link to Harper Collins Canada’s website for Me (And) Me

Link to Alice Kuipers’ website

 

 

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