Busy people sometimes make the best storytellers. Liam Card is one such person. Usually involved in the field of movie production, he does divide his time to allow for writing. As his new novel STOPGAP is about to be released, Card took a few minutes in an airport waiting area to answer a few questions for me.
1) First off, can you give a bit of an overview of STOPGAP?
LOGLINE: In an attempt to rid the world of all violent crime, a recently deceased ghost becomes the most notorious killer in history.
SHORT SYNOPSIS: For Luke Stevenson, an otherwise simple afterlife has become catastrophic. He’s been paired to mentor Safia, an angry teenage girl who recently died a violent death. Safia can not only affect the living – unheard of among ghosts like them – but can actually end human lives. With the best intentions, Luke becomes ensnared in her operation to rid the world of all violent crime.
With Luke’s help, Safia prevents acts of violence before they occur, leaving the world in a state of joy, shock, panic, and looking for answers as the body count rises. Perhaps Safia has made the world a safer place. However, when her plan begins a terrifying evolution, Luke must find a way to derail it, as billions of lives hang in the balance.
2) What inspired you to write STOPGAP? Was there any research involved with writing the book?
One of my creative writing professors at the University of North Carolina told me that writers should write about topics surrounding their frustrations with the world around them. For me, this novel was born out of my frustration watching the news and reading the paper every day. I find it disgusting how terribly we continue to treat one another on this planet, and the justice system in place doesn’t seem to deter violent criminals enough to see these horrible acts go away in the near future. So, as a writer, you sit in that anger. You sit in that frustration. You recognize how you feel about it and then start to run scenarios. I challenged myself to create a situation whereby acts of violent crime would cease to exist. That’s it. Enough. People can’t hurt each other anymore. Now, what does that look like?
After much trial and error, I realized that the imagined situation would have to be due to a higher form of policing. Said differently, I reached the conclusion that a world with no violent crime would only be possible if humans couldn’t follow through with the act, itself. What I required was something, or someone, to intercept these acts before they could take place. Once that was set in stone, the real work began. Honestly, I must have drawn up two or three dozen scenarios before landing on the one that is now in print. I was able to find my story and began constructing the rules of the afterlife (which the story would hinge on for my scenario to play out). This wasn’t a research-heavy novel, unlike my last one – whereby I was writing a first-person medical genius trapped in a plumbers career. This higher concept novel required running constant checks and balances to ensure that I hadn’t broken any of the rules I had created in giving birth to the idea. It was an entirely different process that I truly enjoyed.
3) Are you planning to do a reading tour with this book? If yes, are there any dates/events that you are looking forward in doing?
I’m not sure if the publisher has a reading tour in the works. It would be a tremendous amount of fun, but I think the focus is to try and get the novel into several book festivals and hopefully ride a wave of momentum if there is one to ride. It’s difficult to plan whether a novel is going to be a success or not. That said, if it happens to catch fire, the publisher and I will be ready to get out there and take advantage of the momentum.
Like the last novel, I will be doing a number of Toronto-based bookstores, Toronto Library book signings and Q&A’s.
4) Do you feel your writing is the same or has it changed since Exit Papers from Paradise?
Writing, like anything, is a process of improvement. I learned a lot from my first novel and carried those hard-learned lessons into STOPGAP. Where I feel like I have a strong sense of character, I spent a lot more time on ‘story’ for novel number two and making sure (like a screenplay) that the story followed a bit more of a classic path vs. something a bit more experimental.
5) You mentioned in an earlier Q&A that Exit Papers from Paradise was in development for a feature film. Did that ever come to pass?
Exit Papers From Paradise is in development for a feature film. Over the past three years I have been working with a producer adapting it from the novel to a screenplay. It has been a very challenging experience, but I feel that we are closer than ever. The producer and I are now getting to the point where we are confident enough in the adaptation that we can enter the next phase of film development: Polish and Packaging. Here, we will seek to attach a noteworthy director and (if successful) polish the script based on the director’s notes. Film is an entirely different beast, but I love that medium of storytelling as much as writing novels. That is for sure. It would be one of life’s thrills to see the character of Isaac Sullivan come to life on screens across the country and beyond. Also, Exit Papers is a story that I think many people can connect and identify with. In short, Exit Papers explores the gap between the person you are and the person you think you should be.
6) Are you working on anything new right now? If yes, are there details you care to share?
Right now, I am totally focused on the adaptation of Exit Papers from Paradise. I have a few ideas kicking around for novel number three that will only take shape once the screenplay is under control and I can give a new idea the time and focus that it deserves.
7) In your last Q&A you mentioned you admired Kurt Vonnegut and Irvine Welsh. Are there any new writers or books that you have read recently that you admire?
I am a huge fan of Craig Davidson. I love Chuck Palahniuk and was blown away by (both) Damned and Doomed. These two writers are masters of the craft and I would love to be at their level someday.